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Scoped Out
THE TELESCOPES
THE FALCON, LONDON
IN this humid hell-hole of a venue, snuck bizarrely in the back of the
tavern's toilets, my glasses mist up repeatedly, and I'm forced to
remove them. This means I perceive The Telescopes only dimly, through a
myopic haze. But it scarcely maflers, as there's nothing here I haven't
seen a lOO times before: washed-out faces hiding behind tangled black mops
of hair, and the same rent-a-happening op art slide projections that every
wig-out band in London falls back on.
And on the aural front, The Telescopes are precedented, to say the least
But even though they don't blaze any trails, The Telescopes are very
far from trailing in anyone's wake. This is a band that wields
considerable bulk, at their best coming over like the colossal aggregate
of the ideas and effects of Loop, the Mary Chain and the Valentines.
Despite initial scepticism, I'm eventually not so much won over as run
over; I'm pressed right into the ground.
Like so many bands, The Telescopes at first err on the side of urgency.
Loop's "Soundhead" is the obvious prototype for songs like "Kick The
Wall" and "7th# Disaster": stampedes of sound, wit a cyclonic wah wah
guitar like God drawing in his breath in disapproval or a vicious hoover
sucking out the contents of your lower intestine. Terrific stuff, but
Loop have already left behind the garage for the gaseous.
But The Telescopes are already beginning to discover for themselves
the more of ponderousness, of songs that brood and maIinger and suck you into their mire rather
than kick out jams. Both "This Planet" and "Nothing" achieve critical mass (in both
the astrophysical and journalistic sense of the word), and sink a gaping
hole in the space-time fabric down which the listener falls for century
after century. "Nothing" just seems to hang in the air and suffer,its a real
drag, has you oozing down a S - Bend to Heaven, rimming the anus of God.
And then there's "Cold", a cavernous, sloooooow-f***ing,
long-time-a-dyin' ballad, the sound of a heart sinking like a lead
schooner.
The Telescopes are a very find band, one that can only get further
engorged, and eventually find its own path. For sure, the coordinates
are a little too mapped out it's all a bit consensual, a bit 1988, but a
period of hiatus is the inevitable sequel to any phase of creative
hyperactivity.
C'mon, y 'all - take it to the brink.
SIMON REYNOLDS
Photo: Stephen Sweet
Originally appeared in Melody Maker May 6, 1989. Copyright © Melody Maker
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